<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" xmlns:media="http://search.yahoo.com/mrss/"
	>

<channel>
	<title>SciFi Latino &#187; time travel</title>
	<atom:link href="http://scifilatino.com/tag/time-travel/feed/" rel="self" type="application/rss+xml" />
	<link>http://scifilatino.com</link>
	<description>Commentary and news about Latinos in the scifi &#38; fantasy genres</description>
	<lastBuildDate>Thu, 02 Feb 2012 06:47:30 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.com/</generator>
<cloud domain='scifilatino.com' port='80' path='/?rsscloud=notify' registerProcedure='' protocol='http-post' />
<image>
		<url>http://1.gravatar.com/blavatar/5cd6cf86e4c578b9de0704085bec1f31?s=96&#038;d=http%3A%2F%2Fs2.wp.com%2Fi%2Fbuttonw-com.png</url>
		<title>SciFi Latino &#187; time travel</title>
		<link>http://scifilatino.com</link>
	</image>
	<atom:link rel="search" type="application/opensearchdescription+xml" href="http://scifilatino.com/osd.xml" title="SciFi Latino" />
	<atom:link rel='hub' href='http://scifilatino.com/?pushpress=hub'/>
		<item>
		<title>Cosmos Latinos: Anthology of Science Fiction from Latin America and Spain (Book Review, Part Two)</title>
		<link>http://scifilatino.com/2009/12/29/cosmos-latinos-anthology-of-science-fiction-from-latin-america-and-spain-book-review-part-two/</link>
		<comments>http://scifilatino.com/2009/12/29/cosmos-latinos-anthology-of-science-fiction-from-latin-america-and-spain-book-review-part-two/#comments</comments>
		<pubDate>Tue, 29 Dec 2009 04:33:04 +0000</pubDate>
		<dc:creator>SciFi Latino</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Alberto Vanasco]]></category>
		<category><![CDATA[aliens]]></category>
		<category><![CDATA[André Carneiro]]></category>
		<category><![CDATA[Andrea L. Bell]]></category>
		<category><![CDATA[Angélica Gorodischer]]></category>
		<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Álvaro Menén Desleal]]></category>
		<category><![CDATA[Ángel Arango]]></category>
		<category><![CDATA[Braulio Tavares]]></category>
		<category><![CDATA[Brazil]]></category>
		<category><![CDATA[bureaucracy]]></category>
		<category><![CDATA[Chile]]></category>
		<category><![CDATA[colonialism]]></category>
		<category><![CDATA[Cosmos Latinos]]></category>
		<category><![CDATA[Cuba]]></category>
		<category><![CDATA[Daína Chaviano]]></category>
		<category><![CDATA[dystopia]]></category>
		<category><![CDATA[Eduardo Goligorsky]]></category>
		<category><![CDATA[El Salvador]]></category>
		<category><![CDATA[Elia Barceló]]></category>
		<category><![CDATA[Ernesto Silva Román]]></category>
		<category><![CDATA[fanboys]]></category>
		<category><![CDATA[Federico Schaffler]]></category>
		<category><![CDATA[futurism]]></category>
		<category><![CDATA[genocide]]></category>
		<category><![CDATA[Guillermo Lavín]]></category>
		<category><![CDATA[Hugo Correa]]></category>
		<category><![CDATA[individualism]]></category>
		<category><![CDATA[interplanetary travel]]></category>
		<category><![CDATA[inventions]]></category>
		<category><![CDATA[Jerônimo Monteiro]]></category>
		<category><![CDATA[José B. Adolph]]></category>
		<category><![CDATA[Juan José Arreola]]></category>
		<category><![CDATA[Juan Nepomuceno Adorno]]></category>
		<category><![CDATA[Latin America]]></category>
		<category><![CDATA[Luis Britto García]]></category>
		<category><![CDATA[Magdalena Mouján Otaño]]></category>
		<category><![CDATA[Mauricio-José Schwarz]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[Michel Encinosa]]></category>
		<category><![CDATA[Miguel de Unamuno]]></category>
		<category><![CDATA[Nilo María Fabra]]></category>
		<category><![CDATA[Pablo Capanna]]></category>
		<category><![CDATA[Pablo Castro]]></category>
		<category><![CDATA[Pedro Jorge Romero]]></category>
		<category><![CDATA[Pepe Rojo]]></category>
		<category><![CDATA[Peru]]></category>
		<category><![CDATA[political metaphors]]></category>
		<category><![CDATA[racial purity]]></category>
		<category><![CDATA[religious imagery]]></category>
		<category><![CDATA[Ricard de la Casa]]></category>
		<category><![CDATA[robots]]></category>
		<category><![CDATA[spaceships]]></category>
		<category><![CDATA[Spain]]></category>
		<category><![CDATA[technology]]></category>
		<category><![CDATA[time travel]]></category>
		<category><![CDATA[totalitarianism]]></category>
		<category><![CDATA[utopia]]></category>
		<category><![CDATA[Venezuela]]></category>
		<category><![CDATA[video games]]></category>
		<category><![CDATA[virtuality]]></category>
		<category><![CDATA[Yolanda Molina-Gavilán]]></category>

		<guid isPermaLink="false">http://scifilatino.com/?p=373</guid>
		<description><![CDATA[The previous post covered the introduction of the Cosmos Latinos anthology edited by Andrea L. Bell and Yolanda Molina-Gavilán. This post will briefly describe the 27 short stories in the book without spoilers except for the first two essay-type stories. &#8230; <a href="http://scifilatino.com/2009/12/29/cosmos-latinos-anthology-of-science-fiction-from-latin-america-and-spain-book-review-part-two/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=scifilatino.com&amp;blog=9284719&amp;post=373&amp;subd=scifilatino&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><span style="color:#000000;">The previous post covered the introduction of the <em>Cosmos Latinos</em> anthology edited by Andrea L. Bell and Yolanda Molina-Gavilán. This post will briefly describe the 27 short stories in the book without spoilers except for the first two essay-type stories. The 27 were selected to represent different authors and different “eras” of Latin American science fiction. Each story is preceded by a short biography.</span></p>
<p><span style="color:#000000;"><strong>In the Beginning: The Visionaries</strong></span></p>
<p><span style="color:#000000;">1. <em>The Distant Future</em> by Juan Nepomuceno Adorno (Mexico, 1862). A treatise on what the author, an inventor and philosopher, thought the future would be like. He cites a philosophy called <em>Providentiality</em>, which sounds like Communism enhanced with literal brainwashing, all based on “moral science.” Racial differences literally disappear. Women’s rights are honored (sort of). Nature is submissive. Telegraph and trains link all parts of the globe like one big city. Neighborly aliens of our solar system also communicate with humans via telegraph. War has been eradicated. Medicine is highly advanced. Carnal pleasures are of limited use and sexual love isn’t a “frenzy of anguish and jealousy.”  The rare case of crime is a result of mental disorders which barely exist. People live in sparkling, safe, portable, and sometimes floating homes called <em>social nuclei</em> along with their local workers guild. In the social nuclei, men and women sleep separately. When their bodies develop, young women are presented at a Festival of Virgins in a kind of talent show.  The young men submit a formal request to a council of elders when they see someone they like. The women are then given the young men’s file and they decide who to marry at the Festival of the Adults. Women can be married for as long as they wish, and can separate easily at the same Festival of the Adults (hopefully away from all the marriages). When they return to the nuclei, the man goes to the men’s sleeping area and the woman gets a marriage chamber where her husband can only go by request.</span></p>
<p><span style="color:#000000;">2.  <em>On the Planet Mars</em> by Nilo María Fabra (Spain, 1890). Fabra, a journalist and a main force behind the creation of Spain’s first news agency, envisions a world where people no longer read but listen to all their news via paid in-home or street phonographs. People no longer write, but communicate via telephone. Only diplomats are taught to read and write. All streets are moving platforms at different speeds with hotels above them for travelers.  Canals crisscross the continents to allow for the melting of the polar icecaps and also for fast electric ships.  There is political, linguistic, and religious uniformity. Martians boast of synthetic clothing and food, free travel via an unnamed “vital fluid,” weather control, teaching via hypnotic sleep, <em>telefoteidoscope</em> (similar to TV and videophone). Mars discovers that their blue planet neighbor is inhabited, and the main news program <em>Universal Resonance</em> tells its listeners all about it. The story is a thinly veiled critique of Earth’s state of societal and scientific backwardness with a smugness in Mars’ superiority. Reports from Earth show mistreatment of women, excessive animal sacrifice, war, and general barbarity. The report starts talking of Earth but then ignores it in its insignificance to exalt Mars’ superior virtues. It is disheartening to read about an 1890 Earth that sounds a lot like what we have more than a hundred years later.</span></p>
<p><span style="color:#000000;"><strong>Speculating on a New Genre: SF from 1900 through the 1950s</strong></span></p>
<p><span style="color:#000000;">3. <em> Mechanopolis</em> by Miguel de Unamuno (Spain, 1913). Mechanopolis is the story of a traveler that comes upon a highly advanced city devoid of humans or animals and ruled by unseen machines that regard the man as a curiosity since humans have become extinct.</span></p>
<p><span style="color:#000000;">4.<em> The Death Star</em> by Ernesto Silva Román (Chile, 1929). In 2035, the radiation wave of a star passing near Earth causes all living things including humans to grow exponentially the closer it gets.</span></p>
<p><span style="color:#000000;">5.  <em>Baby H.P.</em> by Juan José Arreola (Mexico, 1952). Hilarious advertisement, directed to exhausted moms, of a contraption to harness the energy of children and put it to use in the home and even market any surplus.</span></p>
<p><span style="color:#000000;"><strong>The First Wave: The 1960s to the Mid 1980s</strong></span></p>
<p><span style="color:#000000;">6.  <em>The Cosmonaut</em> by Ángel Arango (Cuba, 1964).  On an alien planet with sociable creatures of tentacles and pincers, a human visitor faces well-intentioned yet confused inhabitants. Interesting use of dark humor and authentically alien creatures.</span></p>
<p><span style="color:#000000;">7.  <em>The Crystal Goblet</em> by Jerônimo Monteiro (Brazil, 1964). The founder of the first Brazilian sci-fi club writes a story of Miguel, a former political prisoner, who rediscovers a crystal device from his childhood that shows disturbing scenes from a people unknown to himself and his wife.</span></p>
<p><span style="color:#000000;">8.  <em>A Cord Made of Nylon and Gold</em> by Álvaro Menén Desleal (El Salvador, 1965). At the height of the space race and the Cold War, an American astronaut, frustrated with humanity (especially his cheating wife), cuts the cord that tethers him to his orbiting space vessel with an unexpected result.</span></p>
<p><span style="color:#000000;">9<em>.  Acronia</em> by Pablo Capanna (Argentina, 1966). P. lives in a bureaucratic state, manned by robots but supervised by humans. The construct of time doesn’t exist, just the Plan, which tells everyone what they should be doing at a determined moment. Architecture and transportation are radically different: homes, shopping centers, and workplace quadrants orbit and intersect according to Plan. Due to “errors” in his education that were never fixed, P. starts to question and deviate from the Plan, a condition called <em>oneiromancy</em> that could result in exile from society.</span></p>
<p><span style="color:#000000;">10.  <em>The Last Refuge</em> by Eduardo Goligorsky (Argentina, 1967). A man persecuted by an authoritarian regime because he possesses photographs of the outside world seeks salvation from a nearby spaceship grounded due to mechanical difficulties.</span></p>
<p><span style="color:#000000;">11.  <em>Post Boomboom</em> by Alberto Vanasco (Argentina, 1967). Dark comedy about three not so bright men gathering to write the history of mankind that has all but disappeared after a cataclysmic event.</span></p>
<p><span style="color:#000000;">12.  <em>Gu Ta Guttarrak (We and Our Own)</em> by Magdalena Mouján Otaño (Argentina, 1968). Comedy of a family of Basque geniuses that develops time travel to discover the origin of their people.</span></p>
<p><span style="color:#000000;">13.  <em>Future</em> by Luis Britto García (Venezuela, 1970). A humorous depiction of the future of humanity and what happens when it finally reaches all its goals.</span></p>
<p><span style="color:#000000;">14.  <em>When Pilate Said No</em> by Hugo Correa (Chile, 1971). Humans travel to the planet of the Sumis, a “savage” race of smelly cave dwellers that look like insects. A Sumi prophet born on the night of a shining nova causes unrest among his people, and is brought before the human conquerors. The captain of the starship must decide the prophet’s fate.</span></p>
<p><span style="color:#000000;">15.  <em>The Falsifier</em> by José B. Adolph (Peru, 1972). Story based on a native legend about a white man who appears and performs miracles before he continues his journey, and the royal chronicler who in the 1600s feels obliged to change the tale to avoid heresy.</span></p>
<p><span style="color:#000000;">16.  <em>The Violet’s Embryos</em> by Angélica Gorodischer (Argentina, 1973). A mission to the planet Vantedour to discover what happened to a previous mission’s crew finds them alive and wielding seemingly infinite power.</span></p>
<p><span style="color:#000000;">17.  <em>Brain Transplant</em> by André Carneiro (Brazil, 1978). One of the founding fathers of Brazilian sci-fi presents a bizarre story of a future classroom in which the professor uses every one of his students’ senses to teach a lesson about the history of human brain transplants and reality.</span></p>
<p><span style="color:#000000;">18.  <em>The Annunciation</em> by Daína Chaviano (Cuba, 1983). Founder of Cuba’s first sci-fi writers’ workshop and host of genre-related television and radio programs before emigrating to the U.S., Chaviano presents an alternate and humorous view of the immaculate conception.</span></p>
<p><span style="color:#000000;">19.  A <em>Miscalculation</em> by Federico Schaffler (Mexico, 1983). A little fanboy lying in his back yard is dreaming of the stars when he suddenly sees a bright object come towards him.</span></p>
<p><span style="color:#000000;"><strong>Riding the Crest: The Late 1980s into the New Millennium</strong></span></p>
<p><span style="color:#000000;">20.  <em>Stuntmind</em> by Braulio Tavares (Brazil, 1989). Roger Van Dali is chosen to be the first of several human contacts for a race of alien visitors, changing his life from simple bookkeeper to fabulously rich, but with severe physical and mental consequences. The contacts, called Stuntminds, provide a wealth of alien knowledge to the world.</span></p>
<p><span style="color:#000000;">21.  <em>Reaching the Shore</em> by Guillermo Lavín (Mexico, 1994). On Christmas Eve, a little boy dreaming of a new bicycle runs to greet his father at the end of his factory shift but his dad, a pleasure microchip addict, just wants his next fix.</span></p>
<p><span style="color:#000000;">22.  <em>First Time</em> by Elia Barceló (Spain, 1994). In a decadent world, a teenager writes excitedly about her first time in her diary while doing her best to ignore her computer teacher and parents that force her to socialize.</span></p>
<p><span style="color:#000000;">23.  <em>Gray Noise</em> by Pepe Rojo (Mexico, 1996). A reporter with a camera in his eye, embedded audio links and a direct line to the news center, roams the city in search of the best news. The more his items are viewed the better he gets paid, and violence always gets the most attention. Meanwhile anti-media extremists use the panic caused by a new illness called Constant Electrical Exposure Syndrome to advocate a radical change in society.</span></p>
<p><span style="color:#000000;">24.  <em>Glimmerings on Blue Glass </em>by Mauricio-José Schwarz (Mexico, 1996). An office full of detectives is addicted to the adventures of Jacknife, a fictional private eye. In real life however, their main job is to certify the mental retardation of assembly line applicants.</span></p>
<p><span style="color:#000000;">25.  <em>The Day We Went through the Transition</em> by Ricard de la Casa and Pedro Jorge Romero (Spain, 1998). The GEI Temporal Intervention Corps protects the pre-2012 historical timeline from those who would benefit from illegal time travel in Spain. In this particular story, the Corps intervenes in the post-Franco transition to democracy (1975-1981).</span></p>
<p><span style="color:#000000;">26.  <em>Exerion</em> by Pablo Castro (Chile, 2000). A metaphor for Chile’s brutal Pinochet period, this story is about a man traumatized by his father’s kidnapping who tries to escape the authorities himself years later by preserving his memories virtually. As he awaits the police, he attempts to break the record of his favorite videogame, Exerion.</span></p>
<p><span style="color:#000000;">27.  <em>Like the Roses Had to Die</em> by Michel Encinosa (Cuba, 2001). Encinosa tells the story of a world with millions of exotics- humans with extreme animal, vegetable, or synthetic implants. The Walled Zone inside an unfinished Olympic stadium is a market and center of a city filled with violence perpetuated by power struggles, virus-laden Skaters and the police.  Here the Wolf, a former space fighter pilot, awaits her friend the Wizard, a techno-alchemist. She recruits the Wizard to help free her husband Mastín from a group of mercenaries. The Wolf stumbles upon a war against exotics led by fanatical pure humans.</span></p>
<p><span style="color:#000000;">The only ones I found to be a chore to read were <em>The Violet’s Embryos</em> and <em>Brain Transplant </em>which were a bit too “out there” for me. My personal favorites were <em>Baby H.P.</em> and <em>The Annunciation</em> for making me laugh; <em>Acronia</em> and <em>The Day We Went through the Transition</em> for the worlds they create; <em>Like the Roses Had to Die</em> and <em>Gray Noise</em> for their fast-paced action; and <em>Reaching the Shore</em> for its tenderness. I will definitely be looking for more from these authors- any recommendations are appreciated!</span></p>
<br />  <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/scifilatino.wordpress.com/373/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/scifilatino.wordpress.com/373/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/scifilatino.wordpress.com/373/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/scifilatino.wordpress.com/373/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/scifilatino.wordpress.com/373/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/scifilatino.wordpress.com/373/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/scifilatino.wordpress.com/373/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/scifilatino.wordpress.com/373/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/scifilatino.wordpress.com/373/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/scifilatino.wordpress.com/373/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/scifilatino.wordpress.com/373/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/scifilatino.wordpress.com/373/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/scifilatino.wordpress.com/373/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/scifilatino.wordpress.com/373/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=scifilatino.com&amp;blog=9284719&amp;post=373&amp;subd=scifilatino&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://scifilatino.com/2009/12/29/cosmos-latinos-anthology-of-science-fiction-from-latin-america-and-spain-book-review-part-two/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://0.gravatar.com/avatar/0d622b30539bc973f5ca49495cf64859?s=96&#38;d=retro&#38;r=PG" medium="image">
			<media:title type="html">latinageek</media:title>
		</media:content>
	</item>
		<item>
		<title>How Not to Time Travel: Cronocrímenes (Timecrimes) Movie Review</title>
		<link>http://scifilatino.com/2009/09/30/how-not-to-time-travel-cronocrimenes-timecrimes-movie-review/</link>
		<comments>http://scifilatino.com/2009/09/30/how-not-to-time-travel-cronocrimenes-timecrimes-movie-review/#comments</comments>
		<pubDate>Thu, 01 Oct 2009 03:58:45 +0000</pubDate>
		<dc:creator>SciFi Latino</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Cantabria]]></category>
		<category><![CDATA[experiment]]></category>
		<category><![CDATA[Karra Elejalde]]></category>
		<category><![CDATA[Nacho Vigalondo]]></category>
		<category><![CDATA[Spain]]></category>
		<category><![CDATA[The Basque Country]]></category>
		<category><![CDATA[time paradox]]></category>
		<category><![CDATA[time travel]]></category>

		<guid isPermaLink="false">http://scifilatino.com/?p=124</guid>
		<description><![CDATA[Cronocrímenes is the first feature-length science fiction film from Spanish director Nacho Vigalondo. It was filmed in Cantabria province (northern Spain) and The Basque Country. The movie begins with a couple moving into a new neighborhood. Their home is pretty &#8230; <a href="http://scifilatino.com/2009/09/30/how-not-to-time-travel-cronocrimenes-timecrimes-movie-review/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=scifilatino.com&amp;blog=9284719&amp;post=124&amp;subd=scifilatino&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><span style="color:#000000;"> </span></p>
<p><!--[if gte mso 9]&gt;  Normal 0   false false false        MicrosoftInternetExplorer4  &lt;![endif]--><!--[if gte mso 9]&gt;   &lt;![endif]--><!--[if !mso]&gt;--></p>
<p><span style="color:#000000;"> </span></p>
<div id="attachment_127" class="wp-caption aligncenter" style="width: 310px"><img class="size-medium wp-image-127" title="Cronocrímenes" src="http://scifilatino.files.wordpress.com/2009/09/cronocrimenes1.jpg?w=300&#038;h=200" alt="I Spy a Time Paradox" width="300" height="200" /><p class="wp-caption-text">I Spy a Time Paradox</p></div>
<p class="MsoNormal"><span style="color:#000000;"> </span></p>
<p class="MsoNormal"><span style="color:#000000;">Cronocrímenes is the first feature-length science fiction film from Spanish director Nacho Vigalondo. It was filmed in Cantabria province (northern Spain) and The Basque Country.</span></p>
<p class="MsoNormal"><span style="color:#000000;"> </span></p>
<p class="MsoNormal"><span style="color:#000000;">The movie begins with a couple moving into a new neighborhood. Their home is pretty much isolated, which sets things up nicely for a bit of a scare. The husband, Hector (Karra Elejalde), receives a mysterious phone call with no talking but plenty of heavy breathing. Hector finds it strange that anybody would know their new number.</span></p>
<p class="MsoNormal"><span style="color:#000000;"> </span></p>
<p class="MsoNormal"><span style="color:#000000;">While his wife is away running errands, Hector takes a break and sees something strange in the bushes near his house and decides to investigate the neighboring trail. What he finds forces him to run away and he stumbles upon an unusual lab in his escape route. Hector becomes an unwilling participant in a time travel experiment and he creates a paradox that is theoretically interesting although you do wonder how a seemingly smart human being could make so many bad choices. There comes a point in the film where you may get lost amongst the timelines. Still, it is an interesting treatise on the perils of time travel that is less fantastical than most movies&#8211; it is a more “realistic” view if you will. Also if you enjoy a bit of horror with your time trekking, you will enjoy Cronocrímenes.</span></p>
<p class="MsoNormal"><span style="color:#000000;"><span style="color:#ff0000;"><strong>Beware there is another YouTube trailer that contains spoilers.  This one is spoiler-free: </strong></span><br />
</span></p>
<p class="MsoNormal"><span style="color:#000000;"> </span></p>
<p class="MsoNormal" style="text-align:center;"><span style="color:#000000;"><span style="text-align:center; display: block;"><a href="http://scifilatino.com/2009/09/30/how-not-to-time-travel-cronocrimenes-timecrimes-movie-review/"><img src="http://img.youtube.com/vi/gfyQia26_mU/2.jpg" alt="" /></a></span><br />
</span></p>
<br />  <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/scifilatino.wordpress.com/124/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/scifilatino.wordpress.com/124/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/scifilatino.wordpress.com/124/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/scifilatino.wordpress.com/124/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/scifilatino.wordpress.com/124/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/scifilatino.wordpress.com/124/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/scifilatino.wordpress.com/124/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/scifilatino.wordpress.com/124/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/scifilatino.wordpress.com/124/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/scifilatino.wordpress.com/124/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/scifilatino.wordpress.com/124/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/scifilatino.wordpress.com/124/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/scifilatino.wordpress.com/124/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/scifilatino.wordpress.com/124/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=scifilatino.com&amp;blog=9284719&amp;post=124&amp;subd=scifilatino&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://scifilatino.com/2009/09/30/how-not-to-time-travel-cronocrimenes-timecrimes-movie-review/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://0.gravatar.com/avatar/0d622b30539bc973f5ca49495cf64859?s=96&#38;d=retro&#38;r=PG" medium="image">
			<media:title type="html">latinageek</media:title>
		</media:content>

		<media:content url="http://scifilatino.files.wordpress.com/2009/09/cronocrimenes1.jpg?w=300" medium="image">
			<media:title type="html">Cronocrímenes</media:title>
		</media:content>
	</item>
	</channel>
</rss>
